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The surprising phrase Melbourne artist hears at almost every market.

Melbourne Feminist Artist Launches Affordable Art Print Club Helping Women Reconnect With Themselves Through Empowering Art

MELBOURNE, Australia – Melbourne artist Criss Chaney has noticed a pattern while exhibiting her artwork at markets and events across Victoria.

Women regularly stop at her stall, connect deeply with her bold, feminist-inspired artwork, and talk enthusiastically about the pieces they love. Then comes a phrase Criss says she hears time and time again:

“I have to ask my husband.”
Sometimes the women return. Most of the time, they don't.

Sometimes the husbands are there, and she gets to watch the interaction, the excitement and enthusiasm of the woman who has connected instantly with the artwork, and it’s always interesting to see whether their husband supports and encourages them to go for what lights them up. Often the phrase ‘You don’t need that’ comes up. 

For Criss, the experience sparked a bigger question: Why do so many women feel they need permission to spend money on something they love?

“The women I meet aren't struggling to decide whether they connect with the artwork,” says Criss. “They've already made that decision. What they're really struggling with is giving themselves permission to have something that's just for them.”

Through her art, Criss explores themes of confidence, self-expression, personal agency, and what it means for women to take up space in a world that often encourages them to put everyone else's needs first.

Over the years, she noticed many of the women drawn to her work shared a common story. They were mothers, carers, professionals, partners, and organisers. They spent their days supporting others, yet often struggled to justify spending time, money, or energy on themselves.

That observation led Criss to create the Bad Bitch Print Club, a monthly subscription designed to make meaningful art more accessible while encouraging women to prioritise themselves.

Each month, members receive an exclusive art print, a personal letter from Criss, and reflective journal prompts. More than an art subscription, the experience is designed to create a small moment of anticipation, inspiration, and self-connection in everyday life.

Since launching, members have described the monthly delivery as “something to look forward to,” “a pick me up,” and a way of bringing “colour back into life.”

For Criss, those responses reinforce the deeper purpose behind the project.

“Women don't need another thing on their to-do list,” she says. “They need more opportunities to remember who they are beyond their responsibilities. If my artwork can help someone feel more confident, more connected to themselves, or simply remind them that they matter too, then that's what it's all about.”

To learn more about Criss Criss and the Bad Bitch Print Club, visit https://PrintClub.CrissChaney.com.

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Artist Bio

Criss Chaney is a contemporary artist based in Melbourne, Australia, working across urban pop art, mixed media, and graffiti-inspired feminist expression.

Her work explores themes of confidence, identity, autonomy, and female empowerment, often blending bold typography, layered textures, and cultural commentary to challenge how women see themselves and their place in the world.

Alongside her original artworks, Criss runs workshops, commissions, and a monthly art subscription — the Bad Bitch Print Club — designed to make art more accessible while encouraging women to reconnect with themselves through creativity and reflection.<

Her practice is grounded in the belief that art should not only be seen, but felt — as a reminder of strength, self-worth, and agency in everyday life.

Brand Story

Criss Chaney’s work is rooted in a simple but recurring moment.

At markets and exhibitions, women stop in front of her work. They connect instantly. They respond emotionally. They see themselves in it.

And then, almost always, the pause:

“I have to ask my husband.”

That moment became a pattern — and then a question.

Not about art, but about permission.

Criss began to notice that many women weren’t unsure about what they loved. They were unsure whether they were allowed to choose it.

This observation became the foundation of her practice: creating work that reflects women back to themselves — not as caretakers, supporters, or background characters, but as whole, expressive, autonomous individuals.

Her art sits at the intersection of urban pop art, feminist graffiti influence, and cultural commentary — using bold visual language to challenge conditioning around worth, identity, and visibility.

The Bad Bitch Print Club grew from this same philosophy: making empowering art more accessible while creating a monthly ritual that gives women permission to pause, reflect, and choose something for themselves.

At its core, Criss’s work is not about decoration.

It’s about recognition.
A reminder that women don’t need to be asked, approved, or validated to take up space — they already can.

Media Contact

For press enquiries, interviews, or collaboration requests, please get in touch via the contact form below. All messages come directly to Criss and will be responded to as soon as possible.

Contact form

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